Wood'n Drums
woodndrums@yahoo.com  *   973-714-6981

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Musical beginnings….
A life-long musician whose musical talent was evident early on, Mark Wood started playing trap drums 25 years ago. He has played
everything from Southern Rock to Punk to Do-Wop. In 1996, he turned to Latin drums, playing and studying the conga with Glen Webber
at the New Jersey School of Percussion. His musical talent landed him jobs with a number of performance groups, including an
original Latin-retro band in New York City and a Santana tribute band.

Discovering and studying the djembe…
Back in the ‘90s, Mark also began studying djembe, the African drum he now plays. His teacher: his brother, Chuck Wood, a local
musician and drum circle facilitator, who had studied with Babatunde Olatunji, the famous Nigerian who popularized African hand
drumming in this country. Mark assisted Chuck with drumming workshops and events and they also assembled a performance group
that included Mark’s son, Don. During this time, Mark began to see and experience the power of the djembe and its special way of
bringing people together.

In 2000, Mark started studying at the Djonibe Centre in New York and with some of the best African drumming teachers in the area--
Michael Markus and M'Bemba Bangoura. Through them, he learned about the African traditions that are an integral part of the
drumming experience. He continues to study with Amadou Diallo, an African teacher from Guinea, located in Upstate New York.  

Facilitating community….
For the past few years, Mark has been facilitating numerous drum circles and teaching workshops in local communities as well as
privately. He has also provided health/wellness drumming experiences to associations such as the Hunterdon County ARC and the
Wellness Community of Central New Jersey’s cancer support group in Somerset, NJ.

In each of these venues, Mark teaches participants how to use the unique language of the drum to communicate as individuals and as
part of the group. “In order to make the groove happen,” he says, “people need to work together as a team. Mark, whose down-to-earth
style puts people at ease, facilitates a drumming experience that creates a sense of community and unity. “I try to create an
environment in which deep relaxation, joy and healing can take place.” People who drum with Mark report that they relax, have fun and
“live in the moment.”

Promoting unity through drumming…
Mark’s personal mission is to “spread the word” about the djembe and educate more people about it, including medical and
educational institutions, where the benefits would be tremendous. “I’d like to see more people experience the benefits of African
drumming,” he says. “When that happens, more people will be able to connect, communicate and be part of this community. It’s my
way of promoting unity through drumming.”
Promoting unity through drumming